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Object and Identity in a Digital Age





Alex McLean, Geraint Wiggins, Goldsmiths, University of London
Patterns of Movement in Live Languages

Ernest Edmonds, University of Technology Sydney
The Software in Art

Maria Chatzichristodoulou (Maria X), University of Hull; Janis Jefferies, Goldsmiths, University of London; Rachel Zerihan, Queen Mary University of London
Interfaces of Performance

Mary Oliver, University of Salford
The Screaming Head: Making the Most of the Random Attributes of Sensors in the Construction of a Virtual Performer

Helena Tomlin and Irit Narkiss, The Manchester Museum
Making Connections: Children, Objects, Meanings and Museums

Annette Ward, University of Dundee; Annsley Merelle Ward, Gallant Macmillan LLP; James Stevenson, Victoria and Albert Museum; Stephen McKenna, Ian Ricketts, University of Dundee
Art and Orphan Works: Ownership and Discovery

Devorah Romanek, The British Museum
Emergent questions: Digitisation, Cultural Heritage and the Social Agency of Images

Marcus Risdell, Garrick Club.
Cut and Paste Art History: Image Manipulation as Spurious Art Historical Proof of the Face of Shakespeare

Dew Harrison, University of Wolverhampton
Re-Materialisation of the Art Object

Paul Sermon, University of Salford
Puppeteers, Performers or Avatars: A Perceptual Difference in Telematic Space

Andrew Sempere, IBM Watson Research
The Work of Art in the Age of Virtual Production

Sophy Smith, De Montfort University, Leicester
The Creative Use of Online Social Networking Sites to Increase Public Engagement and Participation in the Professional Arts Through Collaborative Involvement in Creative Practice

Colin B. Price, June S. Moore, University of Worcester
The Role of Art in Computer Game Design

Frederik Lesage, London School of Economics and Political Science
The Artist as Designer, the Artist as User: Developing a Collaborative Framework for Artistic Engagement in ICT Design

Denitsa Petrova, Edinburgh College of Art
Big Bird is Watching You! Art, Activism and Technology in the Public Arena

Jeremy Pilcher, Lancaster University
Are You Clean? Parasitic Art and Privacy

Timothy Allen Jackson, Savannah College of Art and Design, USA
The Case of Liberation Aesthetics Versus Digital Identit(ies)

Christoph Klütsch, Savannah College of Art and Design, USA.

Gabriel Menotti Gonring, Goldsmiths, University of London
Exhibition Design as High-Level Programming

Wayne Clements, Chelsea College of Art and Design
Art and Software Entropy.

Sarah de Rijcke, Royal Netherlands Academy of Arts and Sciences
Databasing the Arts:The Enactment of Art Objects in Networked Infrastructures

Yvonne Desmond, Dublin Institute of Technology, Ireland
ArtLog: An Electronic Archive of Artistic Process

Ernesto Priego, University College London
Try to Get that Kindle Signed: The Comic Book as Cultural Interface



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