CHArt Twenty-Second Annual Conference

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Art History, Curation and Practice After Media



Steps of New Media Art at the Venice Biennale, 1960s to 1990s.
Francesca Franco, Birkbeck College, University of London, UK.

Electronic Civil Disobedience: The SWARM case.
Fidele Vlavo, London South Bank University, London, UK.


User Requirements for a 'Virtual Arts Centre of the Future'.
Katrien Berte and Peter Mechant, Department of Communication Sciences, Ghent University, Belgium.

The Digital Space of the Teatro Olimpico: A New Environment for Interactive Arts.
Daniela Sirbu, University of Lethbridge, Canada.


New Futures in Net Art: Discovering Emergent Art Historical Technique in Net Art Contextualisation.
Charlotte Frost, Birkbeck College, University of London, UK.

'High Archive Fever': The Internet and Art Historical Research in China.
Adele Tan, Courtauld Institute of Art, University of London, UK.

Aesthetics and Interactive Art
Karen Cham, The Open University, UK.

SESSION 4 – Panel Session

Sarah Cook, Beryl Graham and Ele Carpenter, CRUMB, University of Sunderland.
Approaches to the Practice of Curating New Media Art

Beryl Graham: Is Interaction More of a Challenge than Immateriality?
Sarah Cook
From Crisis to Bliss: The Cost of Supporting New Media Art
Ele Carpenter: RISK: Creative Action in Political Culture: Presenting Process-Based Art-Activism in an Exhibition Environment


Preservation of Net Art in Museums.
Anne Laforet, University of Avignon, France.

Preserving and Recovering Computer Art: Reconstructing Data or the Artwork.
Nick Lambert, Birkbeck College, University of London, UK.

Conservation and Preservation in the Post-Media Phase: A Suggested Strategy Theory.
Timothy Mohn, Pratt Institute Digital Arts Laboratory, New York, USA.


When Presence and Absence Turn into Pattern and Randomness: Can You See Me Now?
Maria Chatzichristodoulou (maria x), Goldsmiths College, University of London, UK.

Embodying Judgment: New Media and Art Criticism.
Daniel Palmer, Monash University, Melbourne, Australia.


The Peer-To-Peer Distribution of Media Assets Into the Public at Large.
Simon Pope, Goldsmiths College, University of London, UK.

A Blueprint of Bacterial Life - Can a Science-Art Fusion Move the Boundaries of Visual and Audio Interpretation?
Elaine Shemilt, University of Dundee, Scotland.

'You Are Here': Locative Media and the Body As Networked Site.
Alicia Cornwell, Tufts University, Massachusetts, USA.


No Thanks to the Dictionary: Visualising Language in the Post-Medium Age.
Philip Klobucar, Capilano College, Vancouver, Canada.

Putting Two and Two Together to Make Yellow - Synaesthesia, Media, Art and Life.
Rob Flint, Nottingham Trent University, UK.

Programme and booking information

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